There and Here

thereandhereIn a recent Research Forum, our students watched 2014 Israeli documentary There and Here, directed by Avida Livny.

There and Here tells the story of three former Israeli Air Force pilots and one former Israeli Air Force navigator. These four men all have something in common. They all survived the Holocaust as children and, since making it to Eretz Israel, tried to forget their European pasts and reinvent themselves as real Sabras. In this documentary, Shaya Harsit, Harry Klausner (Arieh Oz), Itzhak Birnbaum (Itzhak Biran), and Moshe Simigram (Simi Sa’ar) open up about their story of survival, their journeys to Israel, their desire to fit into the new nation and the challenges that accompanied doing so.

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Holocaust Survivor Micha Gelber shares his story with Cohort VI

Gelberblog.pngThis week in the Research Forum, Holocaust Survivor Micha Gelber shared his story with Cohort VI.

Micha was born in 1935 in the Netherlands. His memories began in 1940 at age five when the Germans invaded. He recalled the Nazi restrictions placed on him and his family, from not being permitted to leave their village, to have the family’s house confiscated and going in and out of hiding. Fortunately, Micha’s father was well-informed through the company he worked for and by local connections and was warned in advance when there would be waves of arrests. In 1943, however, when a Dutch policeman warned them of further arrests, Micha’s father, who had been given information that the family would be receiving Red Cross exchange certificates, decided not to go into hiding. As a result, the family was sent to Westerbork, but did receive confirmation that the Nazis intended to keep them alive to be exchanged for German nationals living in Palestine. That certificate was one of the reasons why the family was able to survive together throughout the rest of the war.

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Holocaust Survivor Danny Chanoch Speaks to Cohort VI

Danny ChanochThis week in the Research Forum Holocaust Survivor Danny Chanoch spoke to Cohort VI to share his story of survival through solidarity. Danny was born in 1933 in Lithuania. He was nine years old when the Germans invaded. Danny recalled seeing the atrocities that accompanied the German occupation of Lithuania with his own eyes. Because of his blonde hair and Baltic looks, he was the only member of his family who was able to safely leave their home to buy food. Walking around Kovno as a young boy, Danny saw Jewish people being tortured on the street. At such a young age he had to put up a wall between him and what he saw happening. His duty was to get food for his family, and he was also unable to help.

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Dr. David Hirsh speaks at the University of Haifa about Contemporary Left Antisemitism

hirshToday the Weiss-Livnat International MA Program in Holocaust Studies had the pleasure of hosting Dr. David Hirsh, a Senior Lecturer in Sociology at Goldsmiths, University of London, who spoke about the subject matter of his new book: Contemporary Left Antisemitism. Hirsh’s book covers a range of issues surrounding contemporary left antisemitism in the United Kingdom, from the Livingstone Formulation (that bringing up antisemitism is more offensive than antisemitism itself to particular progressives), antisemitism and antizionism in the British Labour Party, to assorted boycotts of Israelis, Israel, and supporters of Israel. Hirsh, in his book and in his lecture at the University of Haifa, provides an analysis and critique of the various left-wing antisemitic and antizionist discourses and movements in Britain today.

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Cohort V Student shares thoughts on “Sound of Torture” and her decision to study the Holocaust

 

The following is written by Cohort V student Eugenia Mihalcea:

Eugenia_1

Eugenia Mihalcea   

The documentary Sound of Torture (2013) written and directed by the Israeli filmmaker Keren Shavo, screened in one of the last Research Forum classes, might have many unspoken things. The director chose to follow the Eritrean radio host and human rights activist Meron Estefanos as she reports on Eritrean refugees who have been captured in Sudan while migrating across the Sinai Peninsula into Israel. Keren Shavo does not address the problem of the Israeli official approach to the Eritreans or to refugees in general, or the criminality in the southern part of Tel Aviv. On the other hand, the documentary reminded me why I chose for research the Holocaust.

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Hilla Medalia on her film “Numbered”

 

Hilla-Medalia-HeadShot-small.jpgProducer, Hilla Medalia, shared at a Research Forum about her film Numbered. The film is about survivors in Israel that still bear their numbers from Auschwitz. It’s focused on the effect of their numbers on a personal level and their relationship with their numbers. Some say they cannot remember their number, even though it’s tattooed on them, maybe they’re suppressing traumatic memories. Most agreed that they want to hide their number, as if their tattoo invited questions from strangers. One survivor said a cashier asked her about Auschwitz at the register in a grocery store. Another survivor said his number reminded him that he lived, so he never tried to hide it. When he got his tattoo he cried tears of joy, because it meant he would survive, those who went straight to the gas chambers were never numbered. Other said they cried because it took their humanity, their identity from them; it reduced them to just a number. In any event, all of those interviewed had their own story of how they felt about their tattoo.

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Director Arnon Goldfinger shares about his documentary “The Flat”

IMG_4001In a recent Research Forum, director, Arnon Goldfinger, shared about his 2011 documentary called The Flat. After his mother passed, Goldfinger and his siblings were charged with cleaning out her flat, where his grandparents, Gerda and Kurt Tuchler, also lived. They immigrated to Palestine in the 1930’s, fleeing from Nazi Germany. The film started as a sort of familial archive, but developed into a much larger story.

Goldfinger realized that the story unfolding was too significant to keep it for just the family archives. He said, looking through the lens of the camera he could seen the flat with new clarity and renewed focus. He decided to produce the film as a documentary, and see where it would take him. Without knowing where the content of the flat would lead him he focused on the question: What can you find out about people from the things they left behind?

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